Back in November, I received an email from Simon & Schuster offering a free ebook if I was willing to take part in a study to help them learn more about how readers engaged with their books. All I had to do was create a Jellybooks account, pick my freebie, and start reading. At the end of every chapter, I would click on a button that said ‘sync reading stream’… easy-peasy. Of the five book choices, I had already read one of them, and had my request on Netgalley declined for another. Thinking I would choose the latter, I signed up. I had to read the blurbs for the other books—no self-respecting bibliophile would skip doing that, right?—and my mind was changed as soon as I read the blurb for The Scribe of Siena.
I’ll own up to the fact that it was the Outlander mention/comparison that made my choice an easy one. (If you know me, you know I
am totally obsessed with love the story of Outlander, so you aren’t surprised in the least.) I think I would have chosen this book regardless, because the plot greatly appealed to me. I went into reading it a bit warily, though, because the last book I read that compared itself to Outlander—despite being a very good book—felt like false advertising, in that regard. After giving it some serious thought, I’ve come to decide that the The Scribe of Siena is worthy of the comparison. The stories, settings, and plots aren’t mirror images, of course. It is exactly like Outlander, however, in that it can’t be boxed into one single genre, but to a group of genres—specifically time travel, historical fiction, suspense, and romance. They are close enough in the ways that count to make it an acceptable comparison to me.
When books have historical settings, it’s important that everything fits the time and place; dress, language, societal hierarchies… all of it has to be right, to feel right. Lovers of historical fiction are sophisticated enough to hone in on little details that don’t belong, and it can’t ruin the entire book for them when it happens. Thankfully, that didn’t happen with this book. Winawer clearly did the necessary historical research to bring this fourteenth-century medieval Italian setting to life, and it paid off beautifully in vivid characters, settings, and dialogue.
The conspiracy at the heart of the story was gripping, and my breath caught more than once as the conspirators set about committing their dastardly deeds. I enjoyed how it tied in to the research Beatrice’s brother did prior to his death, and why a particular person in the present day was so motivated to get his hands on that research.
As much as I loved the historical portions of the story, the present day story was equally enjoyable to read. Most of the action understandably takes place in 14th century Siena, but Beatrice’s life in modern-day Siena had memorable moments, as well.
The love story between Beatrice and Gabriele was sweet. As is typical concerning lovers from different centuries, Beatrice ultimately has to decide whether to stay in his time, or go back to hers. The catalyst for this decision wasn’t something I’d foreseen, and that was a welcome surprise.
I absolutely adored this book, and I highly recommend it. I think fans of the Outlander series would really enjoy it, as well as readers who enjoy a good time travel story lush with historical detail, a healthy dose of romance, and a good batch of suspense added to the mix. The Scribe of Siena is a brilliant debut, and I’m fervently hoping to see more novels from this author in the future!
About the Book
Equal parts transporting love story and gripping historical conspiracy—think The Girl with a Pearl Earring meets Outlander—debut author Melodie Winawer takes readers deep into medieval Italy, where the past and present blur and a twenty-first century woman will discover a plot to destroy Siena.
Accomplished neurosurgeon Beatrice Trovato knows that her deep empathy for her patients is starting to impede her work. So when her beloved brother passes away, she welcomes the unexpected trip to the Tuscan city of Siena to resolve his estate, even as she wrestles with grief. But as she delves deeper into her brother’s affairs, she discovers intrigue she never imagined—a 700-year-old conspiracy to decimate the city.
After uncovering the journal and paintings of Gabriele Accorsi, the fourteenth-century artist at the heart of the plot, Beatrice finds a startling image of her own face and is suddenly transported to the year 1347. She awakens in a Siena unfamiliar to her, one that will soon be hit by the Plague.
Yet when Beatrice meets Accorsi, something unexpected happens: she falls in love—not only with Gabriele, but also with the beauty and cadence of medieval life. As the Plague and the ruthless hands behind its trajectory threaten not only her survival but also Siena’s very existence, Beatrice must decide in which century she belongs.
The Scribe of Siena is the captivating story of a brilliant woman’s passionate affair with a time and a place that captures her in an impossibly romantic and dangerous trap—testing the strength of fate and the bonds of love.
About the Author
MELODIE WINAWER is a physician-scientist and Associate Professor of Neurology at Columbia University. A graduate of Yale University, the University of Pennsylvania, and Columbia University with degrees in biological psychology, medicine, and epidemiology, she has published forty-seven nonfiction articles and book chapters. She is fluent in Spanish and French, literate in Latin, and has a passable knowledge of Italian. Dr. Winawer lives with her spouse and their three young children in Brooklyn, New York. The Scribe of Siena is her first novel.
Author photo and bio via Simon & Schuster.